Showing posts with label Insufferable Bragging. Show all posts
Showing posts with label Insufferable Bragging. Show all posts

Nov 10, 2012

Tree


 
A.Finnie. "Birdie Park" (detail) 2011, acrylic on canvas 40x50cm












Well, guess what I've been doing? 

Yes, I haven't been visiting blogs, I haven't been surfing. Instead I've been ringing up news papers, designing posters, thinking up wonderful things to say about myself that slightly resembled the truth, I've been trying to buy bottles of wine for less than three dollars that don't have the distinct aroma of Eau de Chat Derrier, I've been addressing envelopes, googling addresses, licking stamps (some of them taste like strawberries) and , above all, trying to find a pair of trousers to fit me on opening night that doesn't make me look like an upside down version of one of those people who blow up a washing glove and stick it on their head so they look like a chook on steroids (chook is Australian for chicken eg Hey Bruce! Get aload of that old chook over there sitting near the bill a bong)

This for Illustration Friday's "Tree". (So wasn't the Tree of Life half tempting, aye?)

I hope you forgive me for not visiting :( Life is due to return to normal any year now....

Hugs from Oz!

PS we even scored a segment in the Trevisan International Art newsletter :)





A.Finnie. "Yellow Chrsyanthemum"  2012, acrylic on canvas 40x50cm




Jennifer.Finnie. "Lazy Summer" 2012, acrylic on linen 30X25cm
 
 
 
 



Robert.Birch "Baraka 1" acrylic on canvas 40.5x40.5cm









Practicing one wall of the "hang" in the studio.





Nov 5, 2011

Stripes, Yippee I Won! and some Limited Edition Books








I had great news yesterday. I won a give-away from the sparklingly talented Shirley Ng- Benitez!

So I have been walking a little taller since then. Shirley's work always make me smile. Her watercolours are fresh and scintillating, her characters dynamic and charming and, dare I say it, just so cute :)

 Thank you Shirley!! 

Shirley's work is here. She has just released two new works that look amazing.

Sorry about the long post. I didn't even tell you how Bella Sinclair of  Doodlespot was my 40,000 visitor the other day! Thank you Bella :) I made this small image to celebrate :)

And  thank  you everybody :)









PS the rest of the Zebras are here:






















(Edit: wasn't comfortable with selling the books from the blog so removed that section)










Jun 11, 2011

Swept Away











"And so this loverboy found him a flamingo
and this flamingo showed him how to tango

 and
when they tangoed it would send
their hearts a flutter, tease him 'till he stutterd
made him so young and tender

 sweet to surrender,
 was so young and tender,
sweet to surrender,
was so young and tender......"






Well if you've been listening to this blog for a while, or just hung around the wrong  types of cafes and pubs in the seventies, you'd know that those words belong to Tim Buckley's "Sweet Surrender".

Now I always thought that the words were "Sweet is Surrender".

And if you are a human being and not some google gahgah robot, then you'll recognise that sometimes Surrender is truly Sweet.

That feeling...... that feeling of relief when you finally give into temptation, that feeling of sublime de-stressing when you mimic Adam and Eve in the garden of Eden; that feeling of elation as you step over the imaginary line and sail off into the abyss ....

That feeling of flashing your ankle on public transport, of giving into the temptation of chocolate, of opening that second bottle of  expensive wine,  or that feeling of forbidden carnal temptation involving leather, feather dusters and Elvis Presley records ....

Ahh Elvis.... :)









And so, I guess I should have warned you that this post is about the little girl named Mildred who gives into temptation in Hans Christian Andersen's "The Red Shoes" - and loses her feet to the King's Execitioner for her trouble.

Of course Andersen, as a writer for children, doesn't dwell on the amputation.





Instead he dwells on both the epiphany and Christian theme that runs through the story - the epiphany being for both Mildred and the reader; the theme being that once the little girl truly repents her sins (her sins were that she tricked a little old lady and wore Red shoes to church) she is allowed back into the body of the church, and hence, metaphorically, the Kindom Of Heaven - where all little girls named Mildred belong.






Thank goodness Andersen didn't dwell on the amputation. That meant I could do it.

If you hadn't guessed this is my image for Illustration Fridays 'swept'. In Andersen's tale of divine retribution and redemption, the little girl is literally 'swept' along by the red shoes, and then literally 'swept'  off her feet by the king's executioner.

Well, maybe that should read "her feet are swept off by the king's executioner...."

I like Hans Christian Andersen. Not only was he a deft hand with a pair of scissors (see his cutouts), but he had a metaphorical axe the size of a ..... er an axe!

Thank you so much to everyone who wished me well in the book exhibition. Yesterday was the opening. There were tons  of people, there were some amazing works by a multitude of artists that I felt proud to be showing with.






And I was lucky enough to be given an entire room for my work :) How cool is that!  After it leaves Newcastle the exhibition will be going to Mackay in Queensland and thence, if things go well, to Tasmania.

Yippee! :)

Oh here is the child 'friendly' version - except Mildred looks like a vampire! I went for the colour 'bleed' look from the fifties :). Blood, pig, ravens are for special people.













 
PS the l ittle girl's name wasn't "Mildred"..... it was Karen, but my friend Karen Whitaker, the fabulous artist, doesn't deserve to have her feet chopped off. ")

She does however, have a fine set of toasters on her blog at the moment which are well worth a gander :)

see  you!

 

May 28, 2011

Rubaiyat of Omar Khayyam









AWAKE! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

Dreaming when Dawn's Left Hand was in the Sky
I heard a voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

And, as the Cock crew, those who stood before
The Tavern shouted -- "Open then the Door!
You know how little while we have to stay,
And, once departed, may return no more."


(Fitzgerald Translation)                  





























Did I ever tell you about my friends Bob and Siggy? I had the honour of having Bob as my painting teacher at college for four years.

Bob and Siggy are artists.

Artists in that they are both amazing painters. Siggy has just been in shows in New York and Tuscany. She starts painting in her studio at 8 am and finishes at 2 am. Every day. She paints large paintings that seeth with her own personal iconography. Her icons, mysterious and animalistic, are to her paintings like the aphabet is to a writer.

Bob on the other hand is a draughtsman like no other. His pen and ink work is wonderous, his water colours are .... are ... ahh how do you describe a watercolour that in one passage has all the resilient glow and beauty of the best  of traditional water colour then suddenly slides off the paper into an abstract swirl of Turneresque etherealness....  Think Modigliani meets the fauvista Andre Deran. But better. 

It's silly trying to describe paintings eh? Maybe I should just say that the Queen of England has the good taste to have one of Bob's paintings in one of her palaces.

So what's this have to with the Rubaiyat?

Driving along the beach drive, on the way to dinner the other night, my friend Bob looks up at the night sky and sprouts the first verse of the Rubaiyat. Well how beautiful are those words eh? And I had never heard them spoken aloud. I, supposedly an educated man! Obviously I am not.

I was astounded. Speak that first verse aloud the next time you see the first star in the twilight sky and you'll see what I mean.

Though I did not deserve the honour, I'm proud to say that I was in a show with Bob and Siggy a few years ago. You can see some of my paintings from the show here  if you ever wondered what my traditional landscapes look like. There's some reviews at the bottom of this post.

I don't get a chance to brag much :) But as the next stanza suggests, life's short. Thank you for reading!



Whether at Naishapur or Babylon,
Whether the Cup with sweet or bitter run,
The Wine of Life keeps oozing drop by drop,
The Leaves of Life keep falling one by one.


































May 26, 2011

Soaking off Grim Island














Caption: Top image: 'final image', second image 'halfway through post work', bottom image: 'pure render image w ithout post work'






Okay, sorry to be away so long: Ugh.

Without further ado I'd like to state that my real reason for being away from my blog is:

a) I fell overboard (port side)  from my yacht 'Reginaldus Rogerina.III" and was eaten by a baby Blue Ringed Humpback whale who mistook me for a giant cooked prawn (I was sunburnt). I was only released after eight non stop hours of  singing Barry Manilow songs at the top of my voice.

b) I've been holding my breath taking part in the World Breath Holding Championships off Tahiti and came second with a time of eight hours, seven minutes and twelve point 2 seconds. Part of my prize was to act as a human bean bag at the following week's Sudoku wrestling championships.

c) I had my finger stuck in the tap and couldn't get it out till the local green grocer got in a supply of Aldo Moro Cold Pressed First Virgin Olive Oil from Mt Ararat..





d) I was kidnapped by some sardine eating Tasmanian terrorists wearing black pantyhose on their heads (the kind with the sexy zipper seam at the back of the leg). 

e) I have been making a book that I actually finished.

f) I was mistaken for Barak Obama and locked away on a desert island by a bunch of  deprived and depraved echidnas looking for a fun time and the answer to the riddle of the Spinx: ("What goes on four legs in the morning, on two legs at noon, and on three legs in the evening?")

g) I was arrested for misspelling both 'handkerchief and 'miscellaneous'  in one sentence. (The old fat man sat on the small thin boy to make sure that he couldn't escape with the pale green handkerchief and the other miscellaneous frippery.)

h) all of the above.







Sorry, that's enough miscellaneous frippery for one post.....

 To be honest I was lucky enough to be included in an Artists's Book Exhibition which opens on 11th June here in Newcastle. You can see part of my work here. It's about Fairy Tales in the modern world with specific emphasis on feminine stuff that I don't understand ....

Just kidding. To quote from the official site: 
An exhibition of artists’ books at the John Paynter Gallery, Friday 10th – Sunday 26th June 2011, and Artspace Mackay, Friday 22nd July- Friday 28th October 2011, curated by Caelli Jo Booker and Helen Hopcroft.
The exhibition is conceived as an interdisciplinary collaboration between artists, writers and craftspeople invited to work together to create handmade books which explore female narratives within the fairytale genre.
While the classic fairytale ending ‘happily ever after’ envisages a single, finite destiny, the contemporary feminine experience encompasses a multiplicity of roles, expectations, endings, beginnings and relationships. Thus the exhibition theme is probably best conceptualised as a celebration of diversity within destiny, with the fairytale genre used as the narrative vehicle to explore this idea. 
I started work on the book two months ago. It's an accordion folding book. And it's now longer than my living room (about twenty metres plus). I've also adapted it for the Blurb format  and it's come out at 74 pages...... I never know when to stop.





But one of the items in the show is to illustrate a specific scene in a book named Cape Grimm.
So the top image illustrates a moment where the "Holocaust Preacher is Taken by Giant Squid."
I made it this morning in between scrubbing the kitchen and ironing my shirt for work - so it needs some fine tuning especially round the thighs/legs where they are vanishing into the darkness.



The other scattered images are part of the finished work. With thanks to some of my friends. You know who you are! :)

Thanks again for looking at my work and your patience with me.










Apr 9, 2011

Advice for Medieval Monks.












     Sorry I've been away, fell down a well again (as my friend the Labrat noticed). Whilst down the well I was thinking about my work and I realised that a lot of my images were ... err disturbing.  Not to mention the accompanying text.
    Well, they weren't disturbing to me, just to other people.

     Now, contrary to what it might indicate, this doesn't mean that I, personally, am disturbing. That would be like accusing my Wacom of being haunted, or my Cadmium Red Winsor and Newton pigment of being cruel.
    In fact I'm a fun loving guy who loves to grow flowers (dandeloins), vegetables (garlic chives) and rarely pulls the wings off flies -  unless they are really, really annoying me.
   It's just that I do medieval. I like to do Jungian Shadows. And I like teeth.
   Last week I did the Illustration Friday prompt "Duet". I'm sorry I didn't post it.
   It's at the end of this post - which is, you guessed it about the prompt 'Bottled".


   But in truth, this post is about thanking a few friends.
   I've turned off comments for this one. Instead of commenting, can you do me a big favour and visit   Ces and Bella who are organising a fund raiser for the recent Tsunami in Japan? It's a chance to aquire some of their amazing work and help people as well.
   You  can find Ces here. And Bella here.

.





       And my conscience has been bothering me. People I have met through blogging have been exceedingly wonderful to me. I don't know why, I don't think I deserved it one little bit. I've been lucky enough to have been honoured bt being featured on a few blogs - and you know what, I've never said thankyou in the appropriate manner.
      Ugh.





        So here goes. First up I'd like to say thankyou to my friend Janne Robberstad, who in October last year named me as an artist inspirational. Now Janne, if you haven't seen her work, is one of those people who can do anything - and I mean it - and do it with flair. You can see her post here.   Thanks Janne :)
       Please take a look at Janne's work.






Next I'd like to say thanks to Amalia. Amalia's blog 'Art Memoirs' feautures artists from around the world. She featured my work in December last year. The post is here.  Thanks Amalia, that means a wonderful amount to me. If you haven't seen Amalia's own art, then you aint seen nothing!




       And thirdly there's the wonderful Bella. Now I can't really give you a link to that post for various reasons (the main being the opening line of the post), but I can tell you her work is so gorgeous that her last post attracted about 130 comments!
     You can find Bella here.






     Now the last artist I'd like to thank is Jack Foster. If you think my work is odd, strange macabre, well Jack Foster, who makes me laugh like a kid when I see his work (I laugh with it not at it!) has managed to make a small story about it that proves that I am a fun loving guy after all. Thankyou Jack!!!
     Please have a look at his post. It cracked me up. And it makes me look nice.







And lastly, thanks so much to everyone who commented on my last few posts!  You are very kind.














Nov 23, 2010

The Sneaky Metaphor and The Silly Similie.















-----------------------------------------------------------------



Part One



Though the text was spaced for easy reading, Professor James Franklin MacCoddleswap's rubbery lips moved silently as he examined the single page report.
      Even with the help of his finger nails tracing the lines,  it still took him an atrocious four minutes and thirty seven seconds to read the whole page.
      Finally, with a gasping sigh that suggested he hadn't understood any of it, he shoved the report across the desk and curled his lips with distaste.
      "Oh jolly jam hot spot," he said to me. "I hate it when we find these things." 
      Next to the report on his desk was a revolver - a well used 1970's NSW police issue Smith and Wesson.   
      He noticed I was staring at it and he picked it up with two fingers. He pretended to examine the bolt where the paint had chipped off and showed the bare metal.



     "Expecting trouble? I asked.
      He ignored me and concentrated on caressing the muzzle of the gun.
      "Didn't think so," I said.
      He glanced up, squinted at me over his glasses. "Watch your tongue," he said. "I'm trying to be nice to you."
     "You kept me waiting two hours."
     "And with very good reason."
     I said: "It's unprofessional for a shrink to run late."
    MacCoddleswap blushed. "My boy, that's only your opinion. I worked horrendously hard to get where I am today. And my position often gives me a great deal of pleasure. Just like now, when I get to tell you the wonderful news."
     "And that is....?"




      "My good friend," MacCoddleswap said, "I'm afraid the chaps in the lab feel you've been a little sneaky." 
      He pronounced the word 'sneaky' with undue emphasis and I sat straighter in my chair.
     MacCoddleswap continued. "They are very concerned," he said. "And so am I. You haven't quite lived up to our agreement.."
     I sat up quite rigidly now and crossed my arms over my chest. "I've stuck to the rules as well as I could."
     MacCoddleswap guffawed. His adam's apple moved up and down in his neck. It reminded me of a flapping fish wedged in a pelican's gizzard.
     I watched him carefully as he placed the gun down. He placed the gun on the report so it didn't scratch the dark cherry wood of the desk.
     "Rules?" he said. "Oh poppleycock! You, my fabulous Feenian friend have been at it again, haven't you? It's the very  first thing you do after our sessions. Admit it."
     I looked up at the ceiling. "Not the first thing," I said.
     "Don't deny you've been burning the midnight oil every night this week. Mark my words, eventually you'll run out of wick. You're racing to the end of it."
      I blinked. Run out of wick? I thought that was a bit personal - and said so.
     "Nothing's secret here," he said. "Pretend I'm your considerate conscience. Aren't you supposed to be reading books rather than poking people in the eye with your illustrations?"
      I didn't blink, held his gaze. I recognised the hidden words of course.
     Burning. Sneaky. Racing.
     He was using all the right words. They'd been Illustration Friday prompts over the last few weeks. He knew it and I knew it.
     Something was going on here, something I didn't understand.
     "You can't go on," he said. "Apart from your wick, something else will give. Probably your corpus christi cerebullum. It's already looking like a Peruivian pickled pizza parlour. It all has to stop."
      "Never," I said. "You've mixed me up with someone else. There's another Finnie around here somewhere."
     "You mean that that sparkling chap in New Zealand? The gay and lesbian one? The one who wears a codpiece on his head? Oh have no fear, we're onto him too."
      MacCoddleswap picked up the gun on his desk by the trigger guard. With the other hand he shoved the report across the desk at me.
     Though it was upside down I pretended to read it.
     I didn't need to read it of course. I knew what was on the report already - after all, I'd written it    - not that I'd tell MacCoddleswap that.
      Let him find out for himself.
     Obviously we were getting nowhere. On the spur of the moment I decided to try another tack - something I'd learnt as a Sunday School teacher when I was trying to get the kids to behave.
     Instead of reading the report I decided to stare at him.





   MacCoddleswap was an ugly man so I started at the best part - his eyes.
   Now I took more notice I saw that his face was obnoxiously horrid.  Not only did his face make me want to mix my metaphors, but to go into flights of ridiculously lurid similies - it was the only real way to describe what I saw.
  MacCoddleswap's eyes were mostly dirty green, illuminated by flecks of cardigan grey that speckled his irises like faded and abandonned Macdonald's hamburger wrappers in a park of dead grass. His eyelids were red and inflamed liked broken blisters, the base of the eyelashes caked with yellowish specks - blepahritus - literally inflamation of the eyelids. Unkindly I hoped the blepharitus was terminal. I'd heard somewhere that in one in three million cases the victim needed amputation at the neck.
   Gradually I let my gaze wander to his nose.
   It was a bad move.



   Obviously MacCoddleswap had once been a rugby player. His nose was pushed to the his right side and fishooked up so I could see into his nostrils. His nostrils were small, dirty caves, the spiky nasal hairs jutting into the dark recesses like tarnished stalagmites. I guessed that somewhere in that foetid lushness was hiding a pea sized brain.
   By now he seemed to know what I was up to, and twisted his head ever so slightly to spoil my line of sight.
   That didn't stop me. Casually, and without fear, I continued my visual degustation of his face.
   Beneath the nose I discovered the dry river bed of his nasal labial cleft. Deeper than normal, it could only mean one thing - that he'd been an only child - and been a spoilt one at that.
   My gaze lingered on that cleft, imagining that when he cried and his nose ran it became a disgusting bubbling brook of watery nasal excrement.
  I think my disgust finally showed on my own face because by the time I reached his mouth, he was wriggling uncomfortably in his chair.
  I realized he'd had enough when he started to waved the gun around in my direction.
  "Oh do stop staring!" he said. "It's so tiring."
  I continued staring at his mouth.
  Suddenly MacCoddleswap swore. He banged the butt of the gun on the desk.
   "Hot damn! That's it! You can't push me like this. Do you know who I am? I've had enough. You're pushing the wrong bells and all the dings have been donged!" He grabbed the buzzer on his desk like it was a dead rat.
   Unperturbed I kept staring at his mouth and said: "Still having your injections?"
   His hand stopped at the buzzer. "Injections?"
  "I heard you'd been volunteered for botulism tests....."
  Something within him snapped then, his fat lips began to vibrate with anger, the ora-serratta widened, his fibrillating cheeks went beetroot, his eyes bulged like unopened tulips ready to burst and, for a second, his face swelled and his lips, obscene and ripe, beckoned to me like a shiny bubbling waterfall of wet, pink pigs' bladders.
   "It's Botox, you idiotic imbecilic ingrate," he said.
   "Botox?" I glanced at the half dead flowers on his desk. "There's rosemary for rememberance? And there's pansies, that's for thoughts," I said. "But Botox for beauty? Too late for you I'm afraid."
   MacCoddleswap's fingernails were long and curved like claws. With a piggish grunt he jabbed at the buzzer over and over until a foreign accented voice answered.
    He lent close to the speaker and shouted: "Svetlana!"
    A minute passed. The door behind me opened. A thick chested woman clumped in, stood against the wall on the right of the door. Except for the orange hair and the dress she might have been MacCoddleswap's twin.
   But not quite. Unbelievably she was even uglier than MacCoddleswap.





    "This hunk of sveltic beauty is Svetlana," MacCoddleswap said. "Svetlana ich bin ein Easter Berliner. Before the wall came tumbling down, she used to make 1000 Kronor a day. Not bad for a woman with a wooden leg and the IQ of an under-ripe grapefruit."
   "Doing what?" I asked, ignoring his atrocious German. I had poor taste in women but even I could see that    Svetlana was too ugly to be a prostitute. Perhaps, if her hair had been longer, she might have been in high demand as an orangatang impersonator for childrens' birthday parties.
   But I doubted it.
   "Oh, jolly jumbucks! Just wait and see," MacCoddleswap said.
    He'd finally had the guts to put the revolver down. Every now and then his red rimmed eyes glanced at it to make sure it was still there.
    Unsteadily he climbed to his feet and opened the curtain that covered most of the left side wall of his office.
    Behind the curtain was a sliding glass door. When the curtain was fully open I could see through the door into the next room. In the room about eight men were sitting on chairs. The chairs were arranged neatly around the walls of the room. The men had been dressed in the same grey overalls I usually wore. Though they were not three feet from each other, none spoke. I wondered if they'd been drugged.
    In one corner three other men were lying face down on the floor, not moving.
    "It must be time for me to go," I said.
    MacCoddleswap shook his head sadly. "Dear dolly me, I'm very afraid I can't let that happen," he said.
    Reflexively I sat forward in my chair. Behind me I could feel Svetlana take two lumbering steps towards me. There were false teeth on the desk. I pretended to admire their sleek plastic finish.
    MacCoddleswap grinned. 'They were my grandmother's. I keep them there so they remind me of her smile." His own grinned widened and I saw that his own canine teeth were yellow. I shivered. The grin on his face was as out of place as a cheap Christmas ornament on the wall of a funeral parlour.
    "You love to mix your metaphors," he said.
    "So what? That's not a crime."
   His grin vanished. He held his right hand out and spread the fingers. He tapped each one with the black barrel of the revolver. The metal clicked against each of his long yellowed fingernails.






    "Let's go over a few points," he said. "Point one. What about your book, the one you're supposed to be working on?"
    "Give me a chance," I said.
    "You've had your chance. Three weeks is enough. Point two. Not only did you use passive tense, but you mislead your readers on that last post."
    "What post was that?"
    He looked at me accusingly.
    "Oh.... " I said. "You mean the Secret of The Dancing Ducks.... I explained all that."
    "So don't be shy. Explain it to me."
    "It was purposeful misdirection. Everyone forgave me. To be honest I had every intention of telling the truth but I ran out of space"
    MacCoddleswap guffawed. He tapped the barrel of the gun on his fingernail again. "Point three.... "
   He paused and I noticed he was staring at the lower part of my face
    "Listen," he said. "You've got food on one of your chins. Do wipe it off, will you? It's making me feel squeamish."
    I didn't touch my face. Instead I kept my hands at my sides and stared out through the glass doors. The silent eyed men in the next room hadn't moved an inch. I kept staring.
    Eventually MacCoddleswap took the bait and followed my gaze.
   I took my chance. Surrepticiously I wiped my chin.
    He was right. There was a glob of sticky white stuff just below my bottom lip.
    I wiped it off with my index finger and held my fingertip up. In the poor light of his office it was hard to see clearly. The blob appeared to be whipped cream mixed with brown sugar and a small piece of honey coloured croissant - yesterday's breakfast.
   Unfortunately the cream would have gone off by now.
    MacCoddleswap was still gazing curiously into the next room, so I wiped the blob on the back of my chair. It would do the velour good.
    After a minute MacCoddleswap looked back at me. His eyes narrowed and he seemed to realise that I'd been leading him on. Apparently he was as stupid as he was ugly.
   That raised my hopes. Unfortunately.
    "Now where were we?" he asked.
    "Point five," I said.
    MacCoddleswap seemed confused. Then a light blinked on behind his eyes. It was only a dim light, but it was definitely a light.
    "So we've covered point three, passive tense?" he asked slowly.
    "Yes," I said.
    "Mis-spelling?"
    "Definitely."
    He grunted. "You're not lying to me I hope?"
    "Never," I said.
    He looked down at the report on his desk. There was a gold pen in his jacket pocket. He took it out, held it between two fingers and ticked off a few boxes.
    "Ahhah!" he said. "We didn't cover point three and a half - 'trying to write like a cheap detective novelist'. I'd remember if we had."
    I clapped my hands together, imitating his sudden enthusiasm. He didn't notice.
    "Oh we did," I said. "Don't you recall? You accused me of being a Dashall Hammett impersonator."
   MacCoddleswap screwed up his face so much I thought the tip of his nose would poke him the eye.
"Dashall who?"
   "Ha, very funny," I said. I stood up from my chair. "Time to go when you start making bad jokes."
In an instant Svetlana's hand crushed my shoulder. She forced me back into the chair.





    MacCoddleswap said: "We haven't finished yet."
   "My normal shrink only gives me two hours," I said.
    "Your normal shrink doesn't work for the government," he said.
    "Okay. I give up what's point five?"
    "I'm afraid it's in regard to the pictures at the very end of this post. The ones with that sneaky kid stealing those ducklings."
    "What's wrong with that?"
    "Well, for a start, they're not ducks they're geese."
    I shifted uncomfortably. The velour was starting to give me a rash even through the overalls.
    "No one will notice," I said.
    "Balls," MacCoddleswap said. "If I can see they are geese then anyone could.."





    As if to underline his statement MacCoddleswap did the contortionist act with his nose again. This time he twisted the tip so high he looked like an albino monkey having an epileptic attack.
    I tried not to laugh. Instead I nodded.
    "Yes I can see your point."
    "I'm afraid you need a rest," he said.
    "I just had a rest."
    "Rest? I've heard you are working on a commission."
   I didn't say anything.
   "And," he added snidely, "another book."
   I kept my lips buttoned, didn't tell him I hadn't even sent off  the first one yet.
   He changed tack then. "How much do you weigh?"
   After a moment I told him.
   He blinked. "Pardon?"
    I told him again - this time in pounds and stones instead of kilograms to make it easier on his brain.
   He looked astonished. His lips started fibrillating again.
   "That's it," he said. He nodded sideways at Svetlana.
   Svetlana was quick. Before I could move she'd dragged me out of my chair.
   I tried not to cry out, but she had a death grip on my hair and was doing her best to scalp me.
   "Take him to Room 13," MacCoddleswap said. "Two weeks."
   "That's not right," I said. "
   Svetlana dragged me by the hair toward the door. I grabbed at the chair, missed it. At the doorway I stamped on her foot.
   She laughed at me.
  "MacCoddleswap!" I said. "You're making a mistake. Don't let it end like this. It's just not right!"
   MacCoddleswap came out from behind the desk. "Hold on Svetlana," he said and peered at me through his spectacles. "What's not right?"
    "You can't lock me away. I haven't answered my comments yet. There's blogs I want to visit."
   I pointed at the paper on his desk. "Read the back of the report. Then give me a few hours at least."
    MacCoddleswap picked up the report from his desk. I think the excitement was too much and his brain had stopped working. He scratched his chin to look intellectual.
    "It's on the other side," I said, indicating with my hands how he should turn the page over.
    Eventually MacCoddleswap found the back of the page. Eventually he even found the list - the list being the only thing on the page.
    He put the report back on the desk, turned his back to me, then lent over the desk like a school master and read the names slowly, out loud, having as much trouble with the English ones as the foreign ones.
    When he was finished he grunted and said "Too bad. Take him away."
    Svetlana didn't need to be told again. With one fist she banged open the door, the other fist dragged visciously at my hair. 
    As she dragged me out into the corridor I managed one last glimpse of MacCoddleswap.
    Already he'd gone over to the glass doors. He slid them open so he could see unobstructed into the next room. He had the revolver in his hand again. With the revolver in his hand he watched the mannequin men, the way they sat against the walls with those blank eyed stares.

    We'd made several turns down the corridor, heading for the east wing, when I heard the shot. It was muffled by the walls, but a shot never the less.
    Then came the sound of a man screaming softly.
    And, finally, just like in a John Le Carre novel, another shot. Then silence.
    As we reached Room 13 I couldn't help myself. I began to laugh.






    Svetlana never loosened her grip, but she was curious all the same.
    She said in her broken English "Vat's up with you Fennee? Why do you laff?"
    "Oh no reason," I said.
    How could I make her understand that finally at least part of me was happy.
    She wouldn't understand that, at long last, the gun had been fired. She wouldn't understand that I could finish up my story now.
   Well the first part anyway.
   The second part - the part about The Secret of The Dancing Ducks - well that would have to wait for two weeks - when MacCoddleswap finally let me out of Room Thirteen.
   And he would let me out of course.
   That's if I made all the right promises.




Author's Note

Well oh dear, I'm still here and I'm so sorry I haven't got back to some of you. You know who you are. Heh. I'll be at your place this arvo. They've decided to let me out for a break and I noticed an abandonned laptop outside room 15 and a half.
What follows is a kind of apology for my last post. The one about "The Secret of the Dancing Ducks." It's a work in progress.

The images below an at the beginning of the post are all a WIP.  From: The Secret of The Dancing Duck. Also known as "IF: Sneaky."

Have you seen Elizabeth Seaver's birds? If you are after great bird paintings check out her site. These Ducks are a nod to her wonderful images.

For me, I'll be back in a few weeks when I get out of  Room 13.
Thank you for being so patient with me :)