May 28, 2011

Rubaiyat of Omar Khayyam









AWAKE! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

Dreaming when Dawn's Left Hand was in the Sky
I heard a voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

And, as the Cock crew, those who stood before
The Tavern shouted -- "Open then the Door!
You know how little while we have to stay,
And, once departed, may return no more."


(Fitzgerald Translation)                  





























Did I ever tell you about my friends Bob and Siggy? I had the honour of having Bob as my painting teacher at college for four years.

Bob and Siggy are artists.

Artists in that they are both amazing painters. Siggy has just been in shows in New York and Tuscany. She starts painting in her studio at 8 am and finishes at 2 am. Every day. She paints large paintings that seeth with her own personal iconography. Her icons, mysterious and animalistic, are to her paintings like the aphabet is to a writer.

Bob on the other hand is a draughtsman like no other. His pen and ink work is wonderous, his water colours are .... are ... ahh how do you describe a watercolour that in one passage has all the resilient glow and beauty of the best  of traditional water colour then suddenly slides off the paper into an abstract swirl of Turneresque etherealness....  Think Modigliani meets the fauvista Andre Deran. But better. 

It's silly trying to describe paintings eh? Maybe I should just say that the Queen of England has the good taste to have one of Bob's paintings in one of her palaces.

So what's this have to with the Rubaiyat?

Driving along the beach drive, on the way to dinner the other night, my friend Bob looks up at the night sky and sprouts the first verse of the Rubaiyat. Well how beautiful are those words eh? And I had never heard them spoken aloud. I, supposedly an educated man! Obviously I am not.

I was astounded. Speak that first verse aloud the next time you see the first star in the twilight sky and you'll see what I mean.

Though I did not deserve the honour, I'm proud to say that I was in a show with Bob and Siggy a few years ago. You can see some of my paintings from the show here  if you ever wondered what my traditional landscapes look like. There's some reviews at the bottom of this post.

I don't get a chance to brag much :) But as the next stanza suggests, life's short. Thank you for reading!



Whether at Naishapur or Babylon,
Whether the Cup with sweet or bitter run,
The Wine of Life keeps oozing drop by drop,
The Leaves of Life keep falling one by one.


































May 26, 2011

Soaking off Grim Island














Caption: Top image: 'final image', second image 'halfway through post work', bottom image: 'pure render image w ithout post work'






Okay, sorry to be away so long: Ugh.

Without further ado I'd like to state that my real reason for being away from my blog is:

a) I fell overboard (port side)  from my yacht 'Reginaldus Rogerina.III" and was eaten by a baby Blue Ringed Humpback whale who mistook me for a giant cooked prawn (I was sunburnt). I was only released after eight non stop hours of  singing Barry Manilow songs at the top of my voice.

b) I've been holding my breath taking part in the World Breath Holding Championships off Tahiti and came second with a time of eight hours, seven minutes and twelve point 2 seconds. Part of my prize was to act as a human bean bag at the following week's Sudoku wrestling championships.

c) I had my finger stuck in the tap and couldn't get it out till the local green grocer got in a supply of Aldo Moro Cold Pressed First Virgin Olive Oil from Mt Ararat..





d) I was kidnapped by some sardine eating Tasmanian terrorists wearing black pantyhose on their heads (the kind with the sexy zipper seam at the back of the leg). 

e) I have been making a book that I actually finished.

f) I was mistaken for Barak Obama and locked away on a desert island by a bunch of  deprived and depraved echidnas looking for a fun time and the answer to the riddle of the Spinx: ("What goes on four legs in the morning, on two legs at noon, and on three legs in the evening?")

g) I was arrested for misspelling both 'handkerchief and 'miscellaneous'  in one sentence. (The old fat man sat on the small thin boy to make sure that he couldn't escape with the pale green handkerchief and the other miscellaneous frippery.)

h) all of the above.







Sorry, that's enough miscellaneous frippery for one post.....

 To be honest I was lucky enough to be included in an Artists's Book Exhibition which opens on 11th June here in Newcastle. You can see part of my work here. It's about Fairy Tales in the modern world with specific emphasis on feminine stuff that I don't understand ....

Just kidding. To quote from the official site: 
An exhibition of artists’ books at the John Paynter Gallery, Friday 10th – Sunday 26th June 2011, and Artspace Mackay, Friday 22nd July- Friday 28th October 2011, curated by Caelli Jo Booker and Helen Hopcroft.
The exhibition is conceived as an interdisciplinary collaboration between artists, writers and craftspeople invited to work together to create handmade books which explore female narratives within the fairytale genre.
While the classic fairytale ending ‘happily ever after’ envisages a single, finite destiny, the contemporary feminine experience encompasses a multiplicity of roles, expectations, endings, beginnings and relationships. Thus the exhibition theme is probably best conceptualised as a celebration of diversity within destiny, with the fairytale genre used as the narrative vehicle to explore this idea. 
I started work on the book two months ago. It's an accordion folding book. And it's now longer than my living room (about twenty metres plus). I've also adapted it for the Blurb format  and it's come out at 74 pages...... I never know when to stop.





But one of the items in the show is to illustrate a specific scene in a book named Cape Grimm.
So the top image illustrates a moment where the "Holocaust Preacher is Taken by Giant Squid."
I made it this morning in between scrubbing the kitchen and ironing my shirt for work - so it needs some fine tuning especially round the thighs/legs where they are vanishing into the darkness.



The other scattered images are part of the finished work. With thanks to some of my friends. You know who you are! :)

Thanks again for looking at my work and your patience with me.










May 1, 2011

Cinquième leçon: Où est le cochon?












When I was a kid at school, for some unearthly reason, I signed up to study French for four years.

For Australian school boys with strong Ocker accents in the 70's, studying French was an 'interesting' experience - to say the least.

Without French movies available on television, and having no 'real' French people to emulate,  none of us had any idea what a French person was supposed to sound like - and so, instead of practicing rolling our 'r's we spent most of our French class time drawing surfboards - de planches de surf.

Consequently, at the end of four years study, we weren't exactly fluent. I guess the best way to sum up our 'intimidating' grasp of  French is to describe our French teacher's face as he listened to our final Oral exams.

Our French teacher's name was Mr Pierre d'Gorgonzola. He was a Francophile genetically and emotionally. He believed in whistling La Marseillaise while walking both up an down the school corriodors, while doing playground duties and, I have heard from a good source, while visting the rest room with a certain Miss Gerdenhymen.

Apart from his musical tastes and a box shaped head of  Asterxyian red hair, Mr d'Gorgonzola possessed a robust French nose.

And what a nose! Even to an Anglophile like myself, it was a magnificent nose (un nez magnifique!).  It was a nose that had all the jutting pride of the Eiffel Tower, the phallic elegance of the Concorde jet, and the curves of a Renoir nude - curved as it was in the exact contour of the interior of a glass of  Châteauneuf-du-Pape (Shat-toe-newf-de pahp -  go on, say it.)






Even with that Nez Magnifique decorating his la tête en forme de boîte, to recall his facial expressions as he listened to our final examinations, causes me shame even now.

The day of our oral French exams was a lovely spring day. They were held at exactly two in the afternoon; the wind was blowing westerly giving us a clear blue sky. The soft sunlight came through the big bank of windows on the Eastern wall of the classroom and lit up fairy rings of chalk dust that climbed the light shafts.

There were 36 boys in my class.

In alphabetical order, starting with Alan Appleby, (who had a small tic in his right eye when he was nervous) we each stood and read our chosen passage en français..

Even with his tic, Appelby wasn't too bad. But Appleby's accent wasn't quite right, and as he listened, d'Gorgonzola stuck his chin firmly against his bright pink Paisley tie - as if he were trying not to burst out laughing. When Appelby was finished d'Gorgonzola blew a raspberry of relief through his rubbery lips and said:

 'Pas mal. Qui est le prochain? Faites vite!"









The next boy was  Brian Atticuscolarus - a fat Greek kid with a lisp. We called Brian, 'Brain' - because he wasn't. 'Brain', as expected, waded through his French passage with all the grace of a deaf, one legged man with Parkinson's disease doing a three quarter waltz.

I think with 'Brain', Mr d'Gorgonzola, began to show the first signs of strain.

To give him credit, d'Gorgonzola twisted his chin toward his shoulder, and attempted to leave it there. But was ultimately unsuccesful, and a small giggle escaped his lips, and he had to cover his mouth with his hand.

With each boy, the readings grew worse, and d'Gorgonzola lost his giggle and started to gnaw on the end of his Bic biro (le Bic). With some readings a few students laughed aloud.

Thankfully d'Gorgonzola had his eyes squeezed shut when we got to the 'F's. So when it came to my turn I didn't get to see his look of disbelief.

Now let me say, as an aside, that most of the boys in my class were, err..... slightly 'abnormal'. Looking back on my school days I think I can sat that with all honesty.

Abnormal, that is, apart from myself  of course.








Yet it was still with some trepidation that I stood and grasped my foolscap sized morceau de papier. In fact I didn't do too badlly for the first few sentences - which were about the rabid mating habits of  the southern albino wombat (vombatus ursinis albinonus fornicatus).

But then I felt a slight weight on my right cheek and realised that my ocular prosthesis had started to droop a little. I began to worry it might fall on the desk and roll under Applethwait's chair - as it had the previous summer. It always happened when I held my head at an angle, and I should have known better. Of course I'd like to blame Oscar, my prosthetist, but he had warned me not to overdo it. 

Be that as it may, I  had to stop reading for a moment to poke the thing back into its socket. And as I did, d'Gorgonzola's own eyes sprang open. He took one look at what I was doing, his face paled so that he looked as though me might faire de grande vomit and he said:  Oh asseyez-vous Finnie!

And so I did, vowing to wear an eye patch with a picture of the Queen stuck on it if I ever managed to sit another French oral exam.










Things grew worse before they grew better. At boy number 19, Beaux Bingstorphett, whose entire front row of teeth had been knocked out in a fight the week before, d'Gorgonzola's nose begain to quiver, and his pained eyes dropped to the long list of students on the table before him.

But relief was a long way away, and as we approached the last ten students of the class - coincidently those with the most horrible French accents-  d'Gorgonzolas eyes grew wider and wider, till they were those of a man being forced to listen to a  a cat's entrails being turned into violin strings - while they were still attached to the original cat.

And, without one word of a lie, that face is the d'Gorgonzola face  that has stuck with me to this very day. 










Okay, okay, well that's my confession for the day. But to be utterly truthful, I must say that French, in some ways, has stood me in good stead over my adult life.

When, for example, I am visiting my beloved dentist, I often mentally block the view up his gros nez by reciteing simple French. It's a type of meditation without having to say 'ohhmmmm' - that being impossible with another mans fist and forearm shoved all the way down your throat.

My meditative recitals go something like this:

Où sont les livres de l'enfant?
Les livres de l'enfant sont sur ​​la table.

Where are the books of the boy?
The books of the boy are on the table.

Où est la fille de l'actrice?
Elle est derrière l'église avec les trois fils du boulanger.

Where is the daughter of the actrice?
She is behind the church with the three sons of the baker.

Les cinq vaches noires sont dans la chambre à coucher avec la femme du dentiste.
Mais où est M le dentiste?
Le dentiste est écrit au tableau au cours des près de la fenêtre près du livre de l'enfant sous la table.

The five black cows are in the bedroom with the wife of the dentist.
But where is the dentist?
The dentist is writing on the blackboard over the near the window near the book of the boy under the table.

Je voudrais une table pour deux s'il vous plaît. Avec une salle de bain privée.
Combien de présidents souhaitez-vous dans votre salle de bain privée?
Trois s'il vous plaît.

I would like a table for two please. With a private bathroom.
How many presidents do you want in your bathroom?
Three please.










Oh, about the images?

Ahh you see, once upon a time there were three adventurers - all childhood freinds. The names of the adventurers were Hansel and Gretel and Brian.

One day they came to a huge old gate, with fancy  gold lettering on the gate posts that said "Enter at Your Own Risk."

Brian, being brave, yet stupid, didn't take any notice of the signs. 

When Hansel and Gretel had caught up (they had had a restroom stop) it was too late. For poor Brian had opened the gate and been immediately turned into a pig.

He is a pig, even to this day. He is very popular for doing talking pig commercials on daytime television.

 I guess there is a lesson there.

Thank you for looking. The French is courtesy of google gahgah. So don't blame me if you go to France and ask for a bathroom with three Presidents in it and they give you a bathroom with only one.  :)




.

Apr 27, 2011

Death of a Pushbike












Okay, sorry I've been away so long. I've spent a month making an 'artists' book.

Ahh, before I get jumped on..... that doesn't mean that I'm claiming to be an artist. It just means that I am making a book in the style of an artist's book. They are quite fashionable here. I can tell that because my local art shop no longer sells much art stuff like paints etc. It sells craft things. And all really, really, really really expensive. So expensive that us poor people can no longer afford to be painters - so it's lucky they don't sell paint.

See, it's a self fulfilling prophecy.

Now of course the book is fantastic. As you no doubt guessed from the above image, it's a rewrite of the Hansel and Gretel story from a feminist perspective with particular emphasis on diverse destinies and the intimate relationship of the the melodious noise the witch makes (as she is being burnt to death) to the alto tenor solos heard in many Post Modernist operas....




Before I started this 'artist's' book, I realised I didn't have a clue what I was doing, so I spent several minutes on an intensive internet search of book making methods. After much aaghing and ooohing and bottom scratching I decided to go with the Japanese Folding style book (JSFB). 

Now why a JFSB? 

Well, to my simple mind it looks easy. No fancy doody Coopernook stitches, no expensive book braces, no arithmetical challenges trying to work out how many folios of  blindfolded flour pages I would need for a 17 and a half  tonne tome. All I needed was a realy, really, really, really long piece of paper.

Well, the best laid plans of men and mice doth go astray.

Now if you don't know Japanes Folding books they are one step removed from scrolls. The difference being is that the JSFB is not rolled, but folded like an accordion. 

The book is about 5o pages long (not bad for four weeks work) and each page is landscaped A4 at 297mm long. So that means, from beginning to end, the book is approximately 15 metres long.

15 Meters? That's where the fun starts. 






Now the last time I played with glue and bits of paper I was about six and young enough to make the discovery that glue tasted pretty good. Apart from that, I recall that I was master of the wrinkle stick, the bubble grab, and the 'oh my thumb's stuck to the back of my ear' move..

Now a lot more than forty years later I have rediscovered that, although I can no longer lick the glue off my toes, I am still am a crappy "gluer."

Ahh, but why am I telling you this? It's because I have this theory that I need to put stuff in the blank black spaces between images.






But the really interesting part about making this book is this: You see,  I have discovered that only people who live in really long houses will be able to read it.

Okay, enough rambling.

About this image? 

Okay. To be truthful it's Giselda. You know, that  girl who was imprisoned in the tower and forced by an old witch named Mary to spin gold into straw. 

In this image Giselda has discovered that, by deconstructing her brother's push-bike and adding the pedals to the Spinning wheel, she can do the job in half the time.

 The raven's are, of course the witches pets, left there to spy on the girl's technique. 

Soon, courtesy of her push-bike pedal discovery (PBD), she will soon be replaced by machines and lose her job. She will then be given in wedlock to the first woodsman who wanders by. The woodman will feel sorry for her because of her left eye traumatic cataract, and the really bad scar she has at the base of her neck. They will have eighteen children, all of which will eventually become associated, in some way or the other, with various medical professions.

:) :)

Thank you so much  for looking at my work. Recently I had the honour of having some work posted, along with the wonderful image maker  Ces, on Illustration Poetry

One of the images from my artist's book is there.

Thanks Mita, you rock :)

Apr 9, 2011

Advice for Medieval Monks.












     Sorry I've been away, fell down a well again (as my friend the Labrat noticed). Whilst down the well I was thinking about my work and I realised that a lot of my images were ... err disturbing.  Not to mention the accompanying text.
    Well, they weren't disturbing to me, just to other people.

     Now, contrary to what it might indicate, this doesn't mean that I, personally, am disturbing. That would be like accusing my Wacom of being haunted, or my Cadmium Red Winsor and Newton pigment of being cruel.
    In fact I'm a fun loving guy who loves to grow flowers (dandeloins), vegetables (garlic chives) and rarely pulls the wings off flies -  unless they are really, really annoying me.
   It's just that I do medieval. I like to do Jungian Shadows. And I like teeth.
   Last week I did the Illustration Friday prompt "Duet". I'm sorry I didn't post it.
   It's at the end of this post - which is, you guessed it about the prompt 'Bottled".


   But in truth, this post is about thanking a few friends.
   I've turned off comments for this one. Instead of commenting, can you do me a big favour and visit   Ces and Bella who are organising a fund raiser for the recent Tsunami in Japan? It's a chance to aquire some of their amazing work and help people as well.
   You  can find Ces here. And Bella here.

.





       And my conscience has been bothering me. People I have met through blogging have been exceedingly wonderful to me. I don't know why, I don't think I deserved it one little bit. I've been lucky enough to have been honoured bt being featured on a few blogs - and you know what, I've never said thankyou in the appropriate manner.
      Ugh.





        So here goes. First up I'd like to say thankyou to my friend Janne Robberstad, who in October last year named me as an artist inspirational. Now Janne, if you haven't seen her work, is one of those people who can do anything - and I mean it - and do it with flair. You can see her post here.   Thanks Janne :)
       Please take a look at Janne's work.






Next I'd like to say thanks to Amalia. Amalia's blog 'Art Memoirs' feautures artists from around the world. She featured my work in December last year. The post is here.  Thanks Amalia, that means a wonderful amount to me. If you haven't seen Amalia's own art, then you aint seen nothing!




       And thirdly there's the wonderful Bella. Now I can't really give you a link to that post for various reasons (the main being the opening line of the post), but I can tell you her work is so gorgeous that her last post attracted about 130 comments!
     You can find Bella here.






     Now the last artist I'd like to thank is Jack Foster. If you think my work is odd, strange macabre, well Jack Foster, who makes me laugh like a kid when I see his work (I laugh with it not at it!) has managed to make a small story about it that proves that I am a fun loving guy after all. Thankyou Jack!!!
     Please have a look at his post. It cracked me up. And it makes me look nice.







And lastly, thanks so much to everyone who commented on my last few posts!  You are very kind.














Mar 26, 2011

Sir Reginald Farquar's Pig Burning Night









      Edit: I put the original post (text with images) after the page break to make life easier :) Disclaimer: the pigs aren't real pigs - they are just pictures of pigs. Sir Reginald isn't a real knight either. He is merely a retired street cleaner who spends a lotof his time alone in the shed on his aunty's farm.
      The fairy, however is real.  









   







   






   











   





   





Hello? Well thanks for looking at the pics. If you didn't read about Sir Reginal Farquar (DSOTM, ABD, MNFLQR, Ret:) then I don't blame you - in fact you aren't the only one.
But good news! Last week I managed to visit 50 percent of the blogs that I wanted to visit. So this week I will catch up on the other fifty percent, but by the then I will be 75 percent behind, so by next Tuesday I will be right back where I started from.... so if you see me hovering outside the door, that's where I have been.....



Mar 19, 2011

The 1876 Christmas Day ‘O'Shannessy’s Wake Speech’: Cultivate or Perish.












“Cultivate or perish!”

      With those resounding words Abe Leprachaun, clay pipe clenched firmly between his teeth, began his famous 1876 Christmas Day ‘O'Shannessy’s Wake Speech’.
      The rest, as we all know, is history.
      But what most of us don't know is, that two weeks later, on the 16th March, in a totally unrelated incident, the infamous Great Irish Potato Chip Plague began in a small fish and chip shop in the South of France.
      Spread quickly by word of mouth, the Great Irish Potato Chip Plague (THGICP) effected all the nations of the world, ravaging fish and chip shops from Argentina to Alaska, from Tobruk to Tasmania, from Uzbekistan to Kyrgyzstan.
     An unmitigated disaster, not only did THGICP callously shrivel potato chips into small black soggy things, it increased their calories by 15 percent.
     Result?
     Millions of fat bottomed potato chip addicts waddling the streets of Cairo, London and Paris, searching hopelessly for some way to hide their newly aquired "assets".
     Over the next ten years many cures were tried - among them the ‘bum girdle’, the ‘cross dresser’ and the “mooch cradle” .
     All failed.
    Then, in January 1877, a hitherto unknown doctor named Dr Iva Turnipass appeared. And with him, an extraordinary invention, an invention that would, not only shave millions of tons of cellulite from bottoms all over the world, but also result in a miraculous cure for facial cracks, ugliness , chin hair, love handles, intumescence, loftiness, magniloquence, meretriciousness, orotundity, ostentation - and unsightly ‘snow-flake’ dandruff.
    This invention, of course, was known as (cont: page 87)



 
 













Authors' Note:
Is it safe  to stick out my nose out yet? :)

Of course, being a night loving Marsupial, I read the Illustration Friday prompt as "Cultivated" not 'Cultivate'. And so my little St. Patrick's Day Leprechaun chaps are highly cultivated in appearence, with their fancy pipes, flash clothes - and really silly beards.

And thankyou to all those visitors, old and new, who commented on my last two posts. I'm looking forward to visiting your blogs in the next few days.








As an aside, I noticed that both Shirley and Amalia are donating their amazing work or parts thereof to help the victims of the Japanese Tsunami. So please check out their sites if y ou get a chance.

You might also like to check this piece by The Labrat, who is a great artist but very slack.

Thank you very much for looking at this.